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As good as the last Triennial was — and, all qualms, quibbles and philosophical differences aside, it was a pretty good survey of emergent art — what it didn’t have was a monster. Adrián Villar Rojas’ “A person loved me” (2012) has already achieved show-stealer status at The Ungovernables, the secon
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On Wednesday I attended "Social Media Week Edition: Social Media Art," the newest in a series of Arts, Culture and Technology Meetups. These meetups, organized by Julia Kaganskiy, global editor for The Creators Project and co-director of Blue Box Gallery, are all about the potential for technology i
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Post-colonial studies, the legacy of 19th and 20th century colonialism and imperialism, a hit on the academic circuit, underlies the raisone d’etre of the New Museum’s Triennale, The Ungovernables, the second Triennial devoted to global contemporary art. Artists are presented as “actors in the world
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Flipping through the 2012 College Art Association Conference Information and Registration booklet, I get the kind of excitement a football fan might get when creating a fantasy football team.
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Hurry, hide … this weekend Bushwick will be changing forever! If it's not the invasion by Chelsea's Luhring Augustine Gallery, then it's the Chelsea show by a loooong list of Bushwick artists. Or maybe nothing will change but we suggest you take your medicine anyway.
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We listed tonight's #ArtsTech social media art panel in last week's Art Rx and — as expected — it's sold out! Over 125 people have RSVPs and the waiting list is 75 people deep. Thankfully the group has decided to livestream the event tonight between 7:30 and 9pm EST.
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LOS ANGELES — Just a day after I reviewed LACMA's In Wonderland exhibition of surrealist female artists, I came across their new app. Designed by media artist Jody Zellen, Art Swipe starts you off with 16 images from the show. The images are cut in three and arranged with others on the screen, allow
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Have you ever wondered why it’s so intriguing to explore an artist’s studio? Aside from their work, we get a glimpse into not only their artistic process but their valued possessions, inspirations and snippets of their lives. Input/Output pairs artists’ work with their personal collections. Exhibite
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January usually sees the dismantling of lavish holiday windows on Fifth Avenue, a dissipation of arresting tableaux that engaged pedestrians. But the eminent Paris department store Le Printemps refused to wait until next year to showcase another extravagant display, hosting fashion icon's Daphne Gui
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“I fink u freeky and I like you a lot” is the chorus line of Die Antwoord’s new rap/rave hit. It also sums up the way many people feel about Roger Ballen's graphic photographs. These images have provided inspiration for many of Die Antwoord’s outlandish costumes and video backdrops, featuring promin
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Cui Xiuwen is known for her iconic pictures of defiled schoolgirls in lily-white dresses and red scarfs featured in front of Tiananmen-like structures. Miao Xiaochun uses themes of Western classic art and 3D graphics to produce phantasmagorias of Hieronymus Bosch-inspired splendor. Though both artis
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LOS ANGELES — A visiting friend from New York afforded me the chance to check out two shows currently on view at LACMA. They're quite different — disturbing surrealism and cool California chic — but as they're in the same Resnick Pavilion, we had to see both. It's a great combination.