Art
Dancing to the Borscht Beat
Aaron Bendich draws from his massive collection of Yiddish records to share an hour of otherwise hidden music on his radio show Borscht Beat. Recently, he also launched an independent Yiddish record label.
Art
Aaron Bendich draws from his massive collection of Yiddish records to share an hour of otherwise hidden music on his radio show Borscht Beat. Recently, he also launched an independent Yiddish record label.
Art
Alexander Si's “Sweet Green” installation at Chinatown Soup, a near-replica of one of the popular salad chain’s franchises, explored the experience of blue-collar service workers and their place in a system of race-based capitalism.
Art
Gechtoff’s work did not fit into any of the New York art world’s narratives of progressive art. It is time we look closer at what this marvelous artist achieved.
Art
Riley’s nautical-themed exhibition brims with antic details that constitute a feat of serious world-building.
Art
In her art, Tse confronts the hypocrisies of our larger environmental reality, in which the time to search for sustainable models is running out.
Art
Some things in life are more than just “blessed” or “cursed” — they are “blursed,” which is to say, both.
Art
Nothing Is to Be Done for William T. Wiley is a roller derby of irreverent and energetic ideas and a serious revelation about Northern California’s art historical significance.
Art
Troy Montes-Michie cites the US/Mexico border as his “first experience with the language of collage,” describing it as an amalgamation of “two very separate cultures colliding on every level.”
Art
Artist Zsuzsa Ujj carries the tradition of handcrafted Hungarian ceremonial Jewish artwork to the 21st century.
Art
Although more inclusive than the original 1972 Womanhouse, the current remake would still benefit from more BIPOC artists, a broader intersectional dialogue, and a wider breadth of lived experience.
Art
Institutions from the Newark Museum to the Rubin Museum of Art and the Brooklyn Museum recognize the presently growing need for compassionate spaces.
Art
Lydia Ourahmane asks whether her journey to the remote Tassili n’Ajjer plateau should be considered neocolonial tourism or an artistic exploration of cultural heritage.