Art
A Philosopher-Painter for Troubled Times
Judith Bernstein is a great artist whose boldly original paintings forcefully respond to the troubled life of our present culture.
Art
Judith Bernstein is a great artist whose boldly original paintings forcefully respond to the troubled life of our present culture.
Art
Elena Brokaw’s work serves as a reminder of the tangible remains of American foreign interference and state-sanctioned violence in Guatemala — the pieces left over, decades after the collective American conscience has moved on.
Art
Albrecht Dürer always wanted to move on, to be somewhere else.
Art
Basel Abbas and Ruanne Abou-Rahme assert that the lived reality of occupation involves a multiplicity of factors that are erased or overlooked by their controlled representations.
Art
Lokame Tharavadu explores a variety of artistic perspectives on home, belonging, and the universal spirit of humanity that persists in the midst of a global pandemic.
Art
Unlike other curators, my work involves collaborating with Native Sovereign nations, which brings up issues disregarded by US art institutions.
Art
In Maurice “Pellosh” Bidilou’s pictures there is a palpable interplay, a playful interaction between photographer and subject, and the sense of a narrative at work.
Art
Pamphlets on Reformation-era poverty, widely considered Europe’s first drafts of human rights, were printed millions of times in the early 16th century.
Art
Erick Medel’s labor-intensive pieces pay tribute to the labor being done around him.
Art
A thought experiment I sometimes engage in is to ask myself what kind of god would make the world that is being represented in the work I’m seeing.
Art
Seeing On the Edge purely in art historical terms misses what the Quinn family and their guests have been appreciating for years, that their collection is really about friendship and encouragement.
Art
With the altar and the flesh the artist and performer provides the space for viewers to revere our shared icons while making space for the superstars of the future.