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Halsey Hathaway’s Impure Abstractions
No matter how optical a color may become, our experience of it is — to state the obvious — visceral.
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Paintings Embedded With Echoes of War
Jane Irish’s work offers an archive of painterly traditions juxtaposed with horrific acts of violence driven by the moneyed class.
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Mira Dayal Maps a Gallery Floor
The graphite floor map can be understood as a post-apocalyptic landscape, a commentary on artistic labor, or a parable about COVID-era confinement.
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Researchers Use X-Ray Technology to Read “Letterlocked” Historical Correspondences
Researchers who specialize in the ancient practice of “letterlocking,” a means of folding paper correspondence so that they serve as their own envelopes, have been able to examine letters that were previously impenetrable.
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Haig Aivazian’s Poignant Supercuts Pay Tribute to Beiruti Resistance
Aivazian masterfully manipulates found video footage and sound, producing harrowing, evocative juxtapositions.
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Basel Abbas and Ruanne Abou-Rahme Create a Poetic, Web-based Space for Mourning
Postscript exudes a rare ease of accessibility, permitting viewers to linger and acknowledge the nuances of grief.
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In De Lo Mío, Artists Push and Pull at the Seams of Dominican Collective Memory
Themes of tourism, migration, and national identity inform the exhibition’s formidable and, at times, paradoxical quest to a shared homeland.
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Hugh Steers Melds Queerness and the Devotional
Working amid the AIDS crisis, Hugh Steers’s paintings exude a graceful, figurative style that went under-recognized during his brief lifetime.
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Learn About the Under-Sung Women of Arte Povera in a New Lecture Series
“I hope that through the series, a different picture might emerge of a movement,” explains curator Teresa Kittler.
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How the Louvre Codified Essentialism in Art History
The art historical meta-narrative canonized by the Louvre Museum converts all artworks into specimens of their cultural moment. No wall tag can fix this.
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The Indigenous Curatorial Collective Advances Sovereignty in the Art World
In the past year, this small Canadian arts organization organized a COVID-19 mutual aid initiative for independent Indigenous curators, and is challenging its institutional partners to step up.
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An Ode to the Year That Will Live on in Infamy
The Twenty Twenty exhibition at the Aldrich uses using hand drawing to record and describe the cascade of catastrophes that made 2020 feel like an entire decade.