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Rea McNamara, the new Emily H. Tremaine Journalism Fellow for Curators, offers insight into the evolving world of curated online feminist spaces and what role they do and can play in our culture.
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With Hybrid Spirit, Adejoke Tugbiyele proposes a visual language that explores the intimate connections between queerness, Indigenous African spirituality, and feminism.
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Accused of propaganda for depicting destruction by Turkish military forces, Doğan’s graphic novel about her experience is now on display for the first time.
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Members of the She Loves Collective led a striking procession along the Los Angeles River to raise awareness about the Nagorno-Karabakh war.
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We Fight to Build a Free World prompts the question of whether political artworks can truly convey their own radicalism within the halls of an Upper East Side museum.
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As part of Cyber Healing, artist Moréna Espiritual will be leading a dance workshop designed to “combat the erasure of Black history within Latinx culture.”
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Like a hybrid of a Where’s Waldo puzzle and Hieronymus Bosch painting, Chris Santa Maria’s collage culls from the unsettlingly familiar visual torrent of Trump’s administration.
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William Camargo visits spaces like a formerly segregated park and the Anaheim City Hall, where four Klan members were once elected.
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The Social Public Art Resource Center is inviting the public to send photos of their loved ones to be included in an altar and virtual “Calling of the Spirits” ritual.
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Disability rights activist Emily Ladau explains "supported storytelling."
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In Tishan Hsu’s work, the canvas becomes a television, a platform of multiple channels, where what channel to tune into is the viewer’s choice.
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Proposing an overdue historical corrective, Vida Americana is a reminder that neither the US or European avant-garde maintained a monopoly on Modernism.