Art
Leaning Into the Feeling of Being Lost
José Luis Vargas beckons us to enter his disorienting world, created “with the eyes of a child who has entered a science fiction tale.”
Art
José Luis Vargas beckons us to enter his disorienting world, created “with the eyes of a child who has entered a science fiction tale.”
Art
Messy and tender, like a summer fling, Sillman’s drawings embody both the sense of decay and unyielding hunger for life that marks our current times.
Art
Is public apology a practice that should be abandoned, or should it be reimagined? Looking at AA Bronson’s “A Public Apology to Siksika Nation” provides some guidance.
Art
Recently a group of photography collectives launched a Photo Bill of Rights to advocate for “lens-based workers,” to challenge the visual bias of white supremacy, and to increase transparency and inclusivity in the photo industry.
Art
From khakis to pith hats, certain items of clothing have become enduring emblems of European colonialism and particular scholars who know these problematic histories choose to engage in the aesthetics of colonialism in their everyday lives.
Art
In Denver, an exhibition of artist-designed masks shows that face coverings are not only crucial to our health but can also offer unique means of self-expression.
Art
In darling divined, Brackens teases out the symbolism, allegory, and parable long associated with global cosmologies of tapestry weaving.
Art
From a voting station for those who can’t vote to a fascinating history of campaign ads in the US, artists in Los Angeles got you covered ahead of November 3.
Art
In a year of perpetual change, Marking Time demonstrates the urgent need for a shift in culture, one where crisis need not be the charge for moving towards a better world.
Art
The Ruins at Bitforms Gallery riffs off the work of influential Modernists to create vivid digital simulations
Art
Gabrielle Civil, mayfield brooks, and Jasmine Nyende respond to Nikita Gale’s installation PRIVATE DANCER at the California African American Museum.
Art
Abramović’s interests lie more with perpetuating herself as a product than with what she actually expresses through her art.