Art
Looking at Monet as the Planet Burns
At Giverny, by rendering landscapes of his own creation, Monet was not so much replicating nature as, in a sense, collaborating with it.
Art
At Giverny, by rendering landscapes of his own creation, Monet was not so much replicating nature as, in a sense, collaborating with it.
Art
A tree is never just a tree, a water source is never just a water source in the works of Barbara Moore and Sharon Adamson. “They’re all signs of ancestral action.”
Art
Paper, in short, was at one with Picasso's nature.
Art
David Reed has figured out how to bring illusionism back into an abstract painting while remaining committed to paint-as-paint.
Art
The new logo seems to appeal to kids who want to grow up and join the fictional Starfleet Academy.
Art
For Tiepolo: The Best Painter of Venice, the Staatsgalerie in Stuttgart has gathered together much of the artist’s finest work, including a choice selection of his portraits and many of his paintings on religious, historical, and mythological themes.
Art
The second half of a recent exhibition organized to raise awareness and funding in support of accessible, safe, and legal abortion opened this past Tuesday at Arsenal Contemporary.
Art
A blogger’s shaky snapshots from an exhibition opening reveal where a Lakshmi-Narayana statue stolen from a temple in Kathmandu in 1984 had ended up: the Dallas Museum of Art.
Art
It’s not just that Moufarrege broke rules key to representational fidelity; he did it so elegantly that the rules thereafter seem like arbitrary ways of holding back a sensibility best left unrestrained.
Art
“It’s not cowboy art, it’s not parlor art, it is a nuanced view of the American landscape," said one artist at the Coors Western Art Exhibit and Sale, where collectors gather see art that connects them to a person, a memory, or a community they value.
Art
Artists of the Pattern and Decoration movement expanded our perceptions around what is worthy of being called art.
Art
The Independent Curators International is hosting a conversation between curator and scholar Oluremi Onabanjo and Marilyn Nance, who captured the most extensive archive of the influential festival.