Art
Meet the Women Preserving the Legacies of Their Artist-Relatives
We owe the stories of Louise Nevelson, Tamara de Lempicka, and Anna Walinska to those behind the scenes working to preserve them.
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Thomas Carlyle, a Chronically Constipated Racist
Hidden in the bowels of the London Library, a 19th-century pamphlet contains its founder’s most bigoted views.
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The Critique-Profiteering Work of MSCHF
Combining the provocative spirit of internet trolling, clickbait scamming, and MTV’s Punk’d, the collective satirizes consumerism while making bank.
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When Will the Independent Art Fair Grow Up?
At Tribeca’s trendy Spring Studios, I found an art fair in denial.
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Something for Every Palate at the European Fine Art Fair
The fair may be geared toward the collector rather than the casual fairgoer, but its wild mix of genres makes it unique.
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A Tribute to Art and Motherhood
Artists and art workers reflect on the maternal figures in their lives, on being mothers, and on the many layers of a universally beloved and misunderstood figure.
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Paul Chan and His Mom Crochet Criminals Together
The pair work in tandem across coasts to craft hilarious yet moving portraits of criminals including Sam Bankman-Fried, Elizabeth Holmes, and Anna Delvey.
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Jean Shin Gifts At-Risk Birds a Safe Perch
At Appleton Farms, a new installation provides endangered bobolinks a secure place to nest, affirming a sense of human agency in the face of ecological loss.
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Fiber Art Is the Binding Thread at This Manhattan Show
A group exhibition by BravinLee Programs pushes the boundaries of the already open-ended medium through more than 100 works.
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Required Reading
This week, Audubon bird prints, the meaning of “Indigenous,” Met Gala responses, Zadie Smith roasted, backlash to iPad ad, and more.
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The Alienated Aesthetics of USC’s Student Exhibition
Across multiple media, USC art students’ works paired meditations on discomfort, isolation, and technology with an impressive aesthetic rigor.
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Tracing the 500-Year History of the English Dictionary
An exhibition at the Grolier Club in New York shows that lexicographers are just like us: petty, creative, and political.