Art
A Night of Transmedia Performances and Computerized Music
From a bio-electrical instrument triggered by changes in muscle tension to a satirical monument-smashing rampage, Angie Eng has curated an enticing performance program at Roulette.
Art
From a bio-electrical instrument triggered by changes in muscle tension to a satirical monument-smashing rampage, Angie Eng has curated an enticing performance program at Roulette.
Art
Initially designed to raise awareness of Sahrawi refugees living in Western Sahara, an exhibition takes a sprawling look at the legacies of colonialism.
Art
Armenian photographers played a prominent role in the early development and spread of photography throughout the Ottoman Empire and the Middle East.
Art
In Prurience, Christopher Green asks his audience to "consider if society is in the grip of an actual addiction or a moral panic."
Art
Luna’s unexpected passing at the age of 68 interrupted a steady flow of thoughtful and provocative performance art.
Art
Dangerous Beauty: Medusa in Classical Art at the Metropolitan Museum of Art explores how the snake-haired Gorgon transformed from a hideous monster into a beautiful femme fatale.
Art
Security guards' annual salaries are less than half the state’s annual median income, hovering just above the equivalent of minimum wage.
Art
Sangre Colorado, an exhibition by Carlos Frésquez, reminds viewers that "American" is an abstract and malleable concept.
Art
Anuradha Vikram will discuss her new book, Decolonizing Culture, with editor Bean Gilsdorf.
Art
For those who can't draw to save their lives, have no fear — more than a dozen artists will be on hand to help.
Art
After their removal a decade ago during renovations, two Surrealist murals by Allen Saalburg are conserved and back on view at the Split Rock Golf House in Pelham Bay Park, the Bronx.
Art
This week, National Geographic's racist past, reviewing Surrealism in Egypt, the best museum in the world, FBI surveillance of black bookstores, Portugal's role in introducing tempura to Japan, and more.