Art
A Painted River of Gold Links a Group of Portraits
Marcia Marcus's paintings at Eric Firestone Gallery, which span the late 1950s to early '70s, are connected by a thread of iridescent material.
Art
Marcia Marcus's paintings at Eric Firestone Gallery, which span the late 1950s to early '70s, are connected by a thread of iridescent material.
Art
On Wednesday night, art writers and critics Stephanie Cash, Jessica Lynne, Yasmeen Siddiqui, and Jason Stopa gather to talk shop and take questions at the New York Academy of Art.
Art
Dance duo Rashaun Mitchell and Silas Riener had collaborated with artist Charles Atlas to create Tesseract , a sci-fi movement piece with a live video loop.
Art
The duo's early work reveals how they opened the door to truly seeing queer bodies in art.
Art
Albert Samreth examines the fading legacy of New Khmer Architecture, which wanted to represent recently independent Cambodia as authentically Khmer, but also legibly modern.
Art
Positioning black women — artists, actresses, characters, and her own family — as mentors and muses, and as heroic figures in a lineage of their own, Thomas overrides oppressive narratives.
Art
Restoring the Minoans: Elizabeth Price and Sir Arthur Evans at the Institute for the Study of the Ancient World revisits the archaeology of Knossos through a contemporary video installation.
Art
From cemetery monuments and statues allegorizing reunification to an obelisk that functions as propaganda for "Lost Cause" rhetoric, the city's monuments make a blanket approach impossible.
Art
This week, considering Etel Adnan, MVRDV’s "fake" Binhai library, the aesthetics of Empire, the end of Twitter's utopian ideals, mapmakers and horror vacui, and more.
Art
Hayv Kahraman, a half-Kurdish Iraqi and naturalized Swede living in the US, is no stranger to identity politics.
Art
There is a ceremonial aspect to the way Alison Hall makes these works, from the sanding of the plaster to the painting of the surface, to the drawing of the dots, to whatever she does next.
Art
The great satirists — Goya, Daumier, Guston — understood that caricature is a complicated mix of anger, humor, and empathy.