Art
Can We Find Our Way to Indigenous Joy?
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brian Johnson explores the decolonial practices of Indigenous and Native American poster designers.
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Required Reading
This week, the boundless creativity of Audrey Flack, filmmakers memorialize the Haitian Revolution, medieval women’s embroidery, talking dogs, and more.
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The Double Life of Aji V.N.’s Art
Aji’s bifurcated practice reflects his experience of living and working in two different worlds, India and the Netherlands.
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Is the Guggenheim the Right Place to Advertise a Beyoncé Album?
The museum’s façade has been the site of projections and demonstrations for everything from labor rights to World AIDS Day.
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Two Decades of British Women Artists Striking Back
Women in Revolt! is essential viewing for those keen to understand the evolution of British feminism from the 1970s to 1990s.
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The Fugitive Ghost of Ancient Greece’s Greatest Sculptor
Although his work is legendary in ancient Greek sculpture, Phidias himself remains fugitive, a blank space whose outlines can be discerned in the copies of his works.
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Artist Crushes Tesla With Colossal Olmec Head Sculpture
Chavis Mármol told Hyperallergic that he wanted to “crush an object that represents a sinister figure like Elon Mollusk.”
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Lesia Khomenko Distills the Resolve of Ukrainians
Khomenko forcefully responds to her war-torn Ukrainian homeland with complex compositions, lavish and varied brushwork, and avidity for color.
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How Can a Poster Sing?
Learning the notes, melodies, and messages of posters by Indigenous designers will only strengthen our communities and add such needed songs back into humanity.
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The Secret Universe of William Blake’s Art
William Blake’s Universe feels a little hugger-mugger, as if part of its job is to offer up its secrets to like-minded enthusiasts.
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A Galician Artist’s Return Home
Vicente Blanco’s quietly complex drawings depict disorienting, spellbinding scenes in which things are rarely what they initially seem.
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Summer Wheat’s Communal Eden
Rather than embrace individualistic “hustle culture,” the women in her paintings work communally and find time to rest.