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A Photographer Who Uses Color to Hint at Her Own Presence
The latest issue of Aperture focuses on Africa and features strong, colorful images by the Kenyan photographer Mimi Cherono Ng’ok.
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Shamanistic Paintings as Metaphors for Connectedness
In his first solo show, Franck Lundangi uses mystical imagery to portray links between humans and nature.
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Nancy Spero's Festival of Death
Originally made for the 2007 Venice Biennale, the artist's "Maypole: Take No Prisoners" manifests the spectacle of violence and war.
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When Conceptual Art Makes You Acutely Aware of Your Body
Invisible Man, a group show at Martos Gallery curated by Ebony L. Haynes, gathers works by four artists that subtly call attention to embodied experience and the histories embedded in utilitarian objects.
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Kehinde Wiley's Pantheon of Black Artists
In his new show at Sean Kelly Gallery, the artist has begun to create a register of contemporary black visual artists.
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A 19th-Century Magic Lantern Designed to Quell Patients’ Delusions
In the mid-19th century, Philadelphia physician Thomas Story Kirkbride incorporated magic lantern slides into his "moral treatment" regimen at the Pennsylvania Hospital for the Insane.
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Exploring the New Orleans Village Where You Can Play the Buildings
Opened in the fall of 2016, the Music Box Village is a gathering of artist-created architectural instruments.
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Harness Art as a Tool for Resistance at the Queens Museum
Social Practice Queens will bring two projects, "Resistance Theatre" and "DebtBank," to the Queens Museum on June 11.
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Exploring the Evolution of Diagrams at El Segundo Museum of Art
On June 11, Matthew Ritchie, an artist in residence at the Getty Research Institute, will unveil his 27-foot-long work exploring diagrams throughout history.
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Why We Need to Start Seeing the Classical World in Color
The equation of white marble with beauty is not an inherent truth of the universe; it's a dangerous construct that continues to influence white supremacist ideas today.
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Reveling in the Artistry of Scientific Displays
The centerpiece of John Stoney's exhibition at Pierogi is a series of precious gem and mineral displays drained of their natural colors and rendered in shades of gray.
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At the Brooklyn Historical Society, Learn About the Queer Histories of the Borough’s Waterfront
On June 8, Hugh Ryan, the founder of the Pop-Up Museum of Queer History, will share his research on the queer histories of the Brooklyn Waterfront in the 19th and early 20th centuries.