Art
Help Reenact a US Senate Proceeding at Gibney Dance
In performances held March 9–11, the Bureau for the Future of Choreography is asking audiences to consider “the choreographies of our democracy.”
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Hanne Darboven Reflects the Infinite Feeling of History
The artist's “Kulturegeschichte 1880–1983” ("Cultural History 1880–1983") is a seemingly endless archive that renders the viewer mute.
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Seeking Connections that Aren't There at the Kochi-Muziris Biennale
The curator for the third edition of India's first art biennial, Sudarshan Shetty, has brought together some strong works that don't resonate with each other in any way.
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A More Accessible and Eclectic Future for Virtual Reality
This year’s Versions conference mostly encouraged a more sober, productive, and critical probing of the cultural landscape of virtual reality, augmented reality, and mixed reality.
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When Dissection Was a Criminal Punishment Worse Than Death
Harnessing the Power of the Criminal Corpse is an online exhibition that unearths the macabre history of anatomy and criminal punishment.
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Three Powerfully Political Shows Open at the California African American Museum
The California African American Museum kicks off its exhibition cycle this Wednesday with shows about the 1992 LA Uprising and historical disappearance of African-American women.
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Wikipedia Art and Feminism Editing Sessions Around NYC
Art+Feminism takes over New York City with six Wikipedia edit-a-thons over the next week and a half, including the biggest one at MoMA on March 11.
Art
An Artist Teaches Us How to Breathe Under Duress
Last month, I participated in Shaun Leonardo’s "I Can't Breathe," a public, participatory workshop and performance that takes the form of a self-defense class.
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When English Arts and Crafts Met Japanese Woodblock Prints
The William Morris Gallery in London recalls the printmaking collaboration between Yoshijiro Urushibara and Frank Brangwyn in the 1920s.
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A New Vancouver Triennial Contends with Making Art in a Gentrified City
The ability of the Vancouver Art Gallery to maintain its commitment to local artists will be the true test of the triennial’s success.
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Rapt by Strangely Lit and Shadowed Paintings
Jordan Kasey's painted figures, lit with mysterious, colored light, have the monumentality of Picasso’s Neo-classical period and are as ponderous as whales gliding through the ocean.
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A Crowd-Sourced Website Helps Preserve Indigenous Cultures
Cultural Codex invites anyone to contribute stories and experiences that record aspects of indigenous cultures they want to celebrate.