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Dispatches From Inside (and Outside) Frieze LA
Take-home bags of dirt and worms, a “Rat Race” on a soccer field, and other surprises broke with the business-as-usual vibe of this year’s fair.
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Wonkiest Memes of the “Willy's Chocolate Experience” Fiasco
The harrowing AI-marketed Glasgow event made children cry and sent parents into a fury, but the internet is delighted.
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Getting Cozy at Felix, LA's Art Fair Underdog
The dizzying hallways and poolside cabanas of Hollywood’s Roosevelt Hotel come alive with art that leans into the lowbrow.
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Trippy Highlights From LA's Spring/Break Art Show
Car culture, desert scenes, palm tree iconography, and a Burner-ish aesthetics reign supreme at this less-glossy fair.
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Madrid’s Enterprising Heritage Seen Through Its Signs
With their exhibition of signs, Madrid collective Paco Graco has created a catalyst for conversations about the city's past, present, and future.
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Nathan Vincent Crochets Away Toxic Masculinity
Drawing on his knitting and crochet skills, Vincent softens hard surfaces, such as steel lockers and locks, porcelain urinals, guns, grenades, and bombs.
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The Modern Resurrection of the Antichrist
Since antiquity, periods of political uncertainty have generated spurious proclamations of the Antichrist, from Nero to Taylor Swift.
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Required Reading
This week, archiving Palestinian seeds, Criterion and cinematic taste, pianos get a tech upgrade, cotton candy art, and much more.
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Catherine Opie’s Intimate Los Angeles
The works in Opie’s harmony is fraught are documents that bear witness, but they also highlight the connection between our public and private lives.
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The Violent Sublime of Wanda Koop’s Paintings
Koop both illuminates and conceals expressions of power, aestheticizing and making visible Russia’s violent war on Ukraine.
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Ethiopia’s Art at the Crossroads of Traditions
A new exhibition at the Walters Art Museum in Baltimore unfurls continuities between past and present across East Africa’s rich artistic traditions.
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How Artists Reimagine Our Relationship With Death
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Brianna L. Hernández examines how seven artists reclaim end-of-life traditions in their practice.