Art
After the Fall of 5Pointz, a New Project Covers a Queens Building in Murals
On a three-block stretch of 21st Street in Long Island City, New York City’s economic and artistic evolution plays out in miniature.
Art
On a three-block stretch of 21st Street in Long Island City, New York City’s economic and artistic evolution plays out in miniature.
Art
LEXINGTON, Ken. — Nearly 50 plush guns line the white walls of the small gallery Institute 193. They range in size, pattern, and make: there are fluffy 10 mm. pistols; handguns with hot pink cylinders and gold lamé tips; and rifles with silk-covered barrels that droop, nearly grazing the floor.
Art
The leaked files pertaining to the Panamanian law firm Mossack Fonseca have helped shed light on dealers and collectors' pervasive use of shell companies to buy, sell, and hold art.
Art
One does not often associate a walk in the park with experiencing contemporary art presented on security fences by way of large mesh tarps. But that’s just what you’ll find at Natural Disruptions.
Art
This week, the Drawing Center hangs selections from Sol LeWitt's art collection, a conference theorizes the web, dancers read from Martha Graham's biography, and more.
Art
MANILA — The single focus of Filipino artist Manny Montelibano’s short film “Here, distorted” (2016), on view at 1335Mabini, is the lighted floor of a strip club in Bacolod, a city on the island of Negros where the artist lives and works.
Art
LONDON — It’s hard to fit the afterlife within a white cube.
Art
I'm eating a single Ritz cracker, its underbelly embellished with a creamy wave of peanut butter.
Art
Abel Gance’s 1931 film End of the World certainly did represent the “end” of a very important thing: the director’s career as a great cinema pioneer.
Art
Dufresne’s drawings are humorous, whimsical, tender, odd, sarcastic, fantastic, sympathetic, and sweet. She celebrates the wacky and wonderful side of human behavior when overtaken by erotic passion, as well as reaches inexplicable places in our imagination.
Art
I don’t think it is hard to understand why Sandra Vásquez de la Horra’s pencil drawings depict dejected, often isolated figures from a domain that is simultaneously fairy tale, horror story, and dream.
Art
Last summer, Bill Scott and I were invited to participate in final critiques at the Mount Gretna School of Art. Critiques are usually predictable affairs, but I was surprised by Scott’s interactions with the students.