Art
The Morgan Library & Museum’s current exhibition Graphic Passion: Matisse and the Book Arts demonstrates the artist’s well-deserved reputation of having produced some of the most prominent livres d’artistes.
Art
What might a Raphael sound like, based on the particular colors of its paint?
Art
DENVER — The Clyfford Still Museum's current exhibition, Repeat/Recreate, has been on the institution’s wish list for nearly 10 years, since well before it even opened.
Art
It is easy to forget just how really good a painter Alex Katz can be. This is because he makes everything look so easy and natural.
Art
Sometime in the late 1970s, Miriam Schapiro and Elaine Lustig Cohen gathered a group of feminist artists and writers around my dining room table with a proposal: “Let’s form a consortium to buy the work of the Russian Constructivist women.”
Art
PHILADELPHIA — In the early 1990s, Mexican artists Daniel Guzmán and Luis Felipe Ortega recreated and recorded on video a selection of works by Bruce Nauman, Vito Acconci, and Paul McCarthy. They relied only on written transcriptions.
Art
Nobody believes in the simple narrative arc of Modern Art anymore; even so, Painting in Italy 1910s–1950s: Futurism, Abstraction, Concrete Art at Sperone Westwater is an instructive glimpse into the fullness and complexity lying beneath thumbnail histories of the avant-garde.
Art
The first day of a new year means new entries into the public domain! As we do each year for Public Domain Day, here's a look at the artists whose work is now out of copyright.
Art
The first day of a new year means new entries into the public domain! As we do each year for Public Domain Day, here's a look at the artists whose work is now out of copyright.
Art
LONDON — Losing the Compass, at White Cube in London’s Mason’s Yard, aspires to critique geographical, aesthetic, and other sorts of hierarchies.
Art
LONDON — Losing the Compass, at White Cube in London’s Mason’s Yard, aspires to critique geographical, aesthetic, and other sorts of hierarchies.
Art
The word "robot" first appeared in Czech author Karel Čapek's 1920 play R.U.R. (Rossum's Universal Robots).