Art
ArtRx NYC
We advise you to close out summer the best way New York knows how: with film screenings.
Art
We advise you to close out summer the best way New York knows how: with film screenings.
Art
A midcentury mosaic forgotten for years beneath metal paneling on a Midtown Manhattan office building is now restored and on permanent public view.
Art
MINNEAPOLIS — We do not know what we do not know. That is precisely what the Walker Art Center’s exhibition International Pop makes clear — how much, heretofore, we did not know about the scope and practice of Pop art.
Art
Written nearly a decade before she was appointed artist-in-residence at the New York Department of Sanitation in 1976, Mierle Laderman Ukeles’s “Manifesto for Maintenance Art 1969!” points at a basic disconnect between concept and reality.
Art
Cats in general, and cat videos in particular, appear to test, and sometimes to confirm, familiar ideas about the essence of art.
Art
Bay Area artist Richard Diebenkorn kept sketchbooks for his entire career; they served as a sort of nomadic studio where he experimented with visuals that bridged figurative and abstract ideas.
Art
HOUSTON — The exhibition’s name – Sound Speed Marker – gets at the essence of Austin-based artist-duo Hubbard/Birchler’s work. As moving-image artists, Dubliner Teresa Hubbard and the Swiss Alexander Birchler make self-reflexive film: film about the elements of film.
Art
Ray Johnson disappeared near Sag Harbor just over twenty years ago. But if we refer to the artist by the art, he’s still among us.
Art
Terminology is slippery, and using it as the premise for an exhibition can be slipperier still. But the concept underlying Metamodern, a group show at Denny Gallery on the Lower East Side, actually holds the potential to enrich an already strong array of works with a few additional, if speculative,
Art
Every party has a life cycle.
Art
You haven’t really seen a ferris wheel until you’ve seen one photographed by Roger Vail.
Art
LISBON — Even as she was the subject of the exhibition The Sacred and the Profane in 1997 at the National Museum of Women in the Arts in Washington, I had never heard of the Counter-Reformation Baroque (and Bodegón) painter Josefa de Óbidos (1630–1684), before a trip to Lisbon.