Today the United States Supreme Court ruled that same-sex marriage — henceforth known simply as “marriage” — is protected by the Constitution.
For the last several years now, as the credits roll at the end of her films, artist Hito Steyerl’s name, rather than appearing alongside the typical “Written and Directed by,” is listed with roles (or non-roles) considerably more blurred and expressionistic.
Christy Rupp burst onto the New York art scene with “Rat Patrol,” a street art response to the sanitation strike of 1979.
Let’s face it: there’s Brooklyn, and then there’s the rest of New York City. (Sorry, rest of New York City!)
Last Friday, Working Artists and the Greater Economy (aka W.A.G.E.) announced that they will be rolling out their new W.A.G.E. Certification program, which promises to be a “paradigm-shifting model for the remuneration of artistic labor.” We had some questions for the organization.
Within and beyond the American artworld, the politics of race have assumed a central position this year with a degree of ugliness that feels particularly virulent.
What may seem erratic, disparate, schizophrenic, and impatient might instead be read as a thoughtful, methodical, and relentless reconstruction of, as Hassan puts it, his process of defining the sum total of knowledge.
It’s actually been going on for about two years, but like many visitors to the Artists Space gallery prior to May 2012, you may not have noticed the bookshop project. Now that it’s been placed right inside the entrance of the organization’s new event space at 55 Walker Street in Tribeca, it’s impossible to miss the lengths of shelving that line the walls around you.
As a supplement to “Why Are (Most) Artists (So Fucking) Poor?” here is some of the data from the 2010 W.A.G.E. survey of payments received by artists who exhibited with nonprofit art institutions in New York City between 2005 and 2010.
On Friday evening W.A.G.E. presented the results of its 2010 survey of payments received by artists who exhibited with nonprofit art institutions in New York City between 2005 and 2010. The survey found that 58% of artists who responded received “no form of payment.”
Tonight, the group W.A.G.E. (Working Artists and the Greater Economy), will release the results of the artists survey they conducted with Artists Space, a gallery in Soho. The survey found that 58% of the nearly 1,000 artists interviewed (including visual and performing artists) received no compensation at all for exhibiting or presenting their work at nonprofits in New York.
W.A.G.E. seems to be very clear about positioning themselves in a sphere that is realistic for the creative field and with viable and attainable goals. The question now it seems is how to make a payment system sustainable. An experiment at Artists Space is the first attempt at making that happen.