The Carabinieri’s art crime unit said Gentileschi’s masterpiece “Caritas Romana” was on its way to be sold in Vienna.
For the first time in three centuries the Belvedere Museum is displaying creations by artists who are not Austrian and have no connection to Austrian art.
But they are also open to the possibility that it may have originated from eastern Ukraine.
For Franz Xaver Messerschmidt, his Character Heads were his way to forestall the demons that tortured him.
The profile includes works by Egon Schiele, Amedeo Modigliani, Peter Paul Rubens, and a prehistoric Venus of Willendorf figurine.
The headdress in Austria is the only one of its kind and it’s not only a work of art, but a representation of the identity and landscape of Mexico that was stripped from the nation by colonial forces.
A show at Vienna’s Albertina reverses the more commonly held belief in art history that drawings are merely preparatory to paintings.
The Vienna-based group Iraqi Autumn draws attention to the international community’s silence regarding the outbreak of violence in Iraq over the past two months.
We could call this exhibition a battle of the swaggerers.
The exhibition Ecocinema explores the relationship between humans and nature, and goes a step further: transforming the Kunsthalle into four movie theaters, using sustainable, natural materials.
Within the theme of the “Grand Hotel Abyss,” the Steirischer Herbst 2019 art festival dropped visitors into a continuous past, present, and future of decadence, theatrics, and deviance.
Curator Klaus Littmann’s grove of trees planted in the middle of an Austrian soccer stadium has become an unlikely flashpoint.