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Posted inArt

Some Thoughts on Clement Greenberg and His Legacy

In his introductory essay to Vitamin P, a survey of contemporary painting first published by Phaidon in 2002, the poet and critic Barry Schwabsky takes pains to point out the variety of stylistic positions available to a contemporary painter. In doing so, Schwabsky suggests that there is no single identifying characteristic that would disqualify a contemporary painting from critical consideration today. This state of openness was not always the case. In my opinion, however, the receptivity that Schwabsky claims for painting is not actually an accurate characterization of the current situation, where success is generally judged by an artist’s standing in the marketplace.

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