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France Opens War Crimes Investigation Into Israeli Airstrike That Killed Artist Ali Cherri's Parents
Amnesty International found that Israeli forces had no evidence of a verifiable military target at the site of the strike.
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Amnesty International found that Israeli forces had no evidence of a verifiable military target at the site of the strike.
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“We have to break this cycle of impunity," Ali Cherri, who filed a complaint against Israel in France’s War Crimes Unit, told Hyperallergic.
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The museum was forced to close for nearly three years after suffering extensive damage during the blast of August 4, 2020.
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The previously unknown work was salvaged by a Lebanese artist and art historian, who first made the case for the painting's authenticity.
Art
Harout Bastajian has built a career painting calligraphic and geometric designs for the domes of mosques around the world. The results are stunning.
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The World Monuments Watch includes 25 at-risk sites facing war, climate change disasters, underrepresentation, and imbalanced tourism.
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The damaged Roman and Islamic vessels were on display in the Archaeological Museum at the American University of Beirut during the explosion.
Art
After Gregory Buchakjian’s discovery laid largely dormat for decades, his research has been renewed and well-received by scholars of the Baroque artist.
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Initiatives have sprung up in the aftermath of the explosion, with the goal of raising funds for relief efforts in the city and reconstructing its devastated cultural sector.
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“We are now in survival mode,” says Joumana Asseily, director and founder of Marfa’ Projects. “A week ago I was concerned about safety issues because of the pandemic but now my biggest worry is checking if everyone is safe and has a shelter.”
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In the wake of the massive explosion, which killed at least 135 people, art institutions in Beirut are banding together to help protect collections and offer storage.
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A viral photo of the sculpture from a top-angle caused wide condemnations, calls for an investigation, and conspiracy theories against the artist and the gallery behind the sculpture.