Inspired by Jean Genet’s 1950 homoerotic Un Chant D’Amour, Pauline Curnier Jardin’s recent film Qu’un Sang Impur (2019) interrogates patriarchal credo through the lens of its unseen bodies.
The world-renowned dissident artist, who is celebrated in the gambling community as a “Blackjack Guru,” explained the story behind the lawsuit in a New York Times op-ed.
After years of refusal and controversy, German cultural authorities allowed artist and designer Cosmo Wenman to publish scans of the 3,364-year-old bust under a Creative Commons license.
In Horizontal Vertigo: WangShui, the Julia Stoschek Collection hosts an exhibition of new works by the New York-based studio known for their explorations of technology, identity, and diaspora.
During a performance piece in Berlin, Steyerl demanded state-run art institutions stop showing her work as part of the country’s “external cultural diplomacy” until the country changes its policy toward the Turkish invasion of Kurdish areas in northeast Syria.
Videos of a birthing in reverse in Candice Breitz’s Labour document the process of mothers undoing the moment they gave birth to men who would become tyrants and dictators.
Doğan and three other artists adorned their bodies with cave paintings from Hasankeyf, an ancient Mesopotamian city, to protest its imminent destruction caused by the construction of a new dam.
Leading Jewish studies scholars came out in defense of Peter Schäfer, himself a prominent Talmud Scholar, and called accusations of anti-Semitism against him “false” and “outrageous.”
Peter Schäfer stepped down from his post after the museum faced criticism for tweeting out an open letter opposing the labeling of the Palestinian Boycott, Divestment and Sanctions movement (BDS) as anti-Semitic.
The campaign, funded by the Alternative for Germany party, features the 1866 painting “Slave Market” with the caption, “So that Europe won’t become Eurabia.”
According to a group of activists, 75% of the artists being platformed at Berlin Gallery Weekend are white and male.
After Björn Höcke called the Holocaust Memorial in Berlin “a monument of shame,” an artist built a replica beside the politician’s home.