Fondant, pie crust, and icing are the chosen mediums of the Blanton Museum’s annual bake-off, which asks competitors to recreate collection artworks as cakes.
Blanton Museum of Art
Posted inArt
Oscar Muñoz Visualizes the Invisible
The Colombian artist’s first US retrospective is a meditation on memory and seeing.
Posted inArt
How Pop Became Political for Artists Across the Americas
From North to South America, artists used the bold colors, figuration, and appropriated imagery of Pop Art, but with a biting political message.
Posted inArt
Inside Luis Jiménez’s American Southwest
Born to an immigrant family in El Paso, Texas, Luis Jiménez grew up in a world dominated by cowboys, cactus, and rattlesnakes, all of which appeared in his art.
Posted inArt
How Leo Steinberg Saw the Profound Importance of Prints Before Most
“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”
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Diedrick Brackens Explores the Warps and Wefts of Black and Queer Histories
In darling divined, Brackens teases out the symbolism, allegory, and parable long associated with global cosmologies of tapestry weaving.
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A Museum Educator Asks How We Can Feel Closer to Art
With the teaching galleries at the Blanton Museum now being closed, as a museum educator there I can’t but help ponder how an art experience of close looking with our eyes, our bodies, and our breath might translate in our post-pandemic future.
Posted inHistory
Conserving the Art and Legacy of Spain’s First Recorded Female Artist
Once the official sculptor in the court of the last Habsburg king, Luisa Roldán is easily the most famous sculptor you’ve never heard of.
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An Avant-Garde Magazine That Promoted the Indigenism Movement
Amauta affirmed the rights and political demands of Latin America’s indigenous groups and recognized their cultures as vital and authentic alternatives to Hispanicized, colonial narratives.
Posted inArt
Joiri Minaya’s Tropical-Inflected Critiques of Colonialism
In unifying contemporary tropical realities with histories of colonization, Minaya demonstrates how imperialist attitudes survive in the discourse and commodification culture surrounding tropical tourism.
Posted inArt
Subverting the Whiteness of Antiquity
Lily Cox-Richard questions — and successfully subverts — a long-held association between the aesthetic qualities of classical sculptures with physical whiteness.
Posted inArt
Mapping Non-European Visions of the World
Maps drawn by Indigenous artists at the behest of the Spanish in the 16th century illustrate the amalgamation of visual traditions during the early years of contact between Indigenous groups and colonizers.