Books
Remixing Six Centuries of Iconic Graphic Designs
In a new book, Phaidon considers the unexpected and deliberate connections between 500 of our most recognizable images.
Books
In a new book, Phaidon considers the unexpected and deliberate connections between 500 of our most recognizable images.
Books
Researchers at University College London studied the scents of old books to better understand how to identify and protect "heritage smells."
Books
A new edition of George Nelson's How to See shows that his guide to the human-made landscape is as relevant as ever.
Books
When René Magritte wrote “This is not a pipe,” he wasn’t negating the pipe so much as he was negating the language with which we attempt to grasp it.
Books
Besides examining in-depth both the early and late Maine periods, Marsden Hartley’s Maine includes a fine essay on materials and techniques, based on careful examination of a dozen works, which shows a surprising continuity in composition and methods across Hartley’s career.
Books
Iron Moon: An Anthology of Chinese Worker Poetry, edited by Qin Xiaoyu and translated by Eleanor Goodman, collects work by Xu Lizhi and 30 other worker poets.
Books
From 2010 to 2014, photographer S.B. Walker explored the shores of Walden Pond, where Thoreau's bucolic environment now bustles with recreation and development.
Books
The book Botanical Shakespeare, by historian Gerit Quealy with illustrations by Sumié Hasegawa-Collins, compiles the roughly 175 mentions of plants in Shakespeare's plays.
Books
Tara Booth's graphic memoir D.U.I.I is an exploration of shame and failed expectations
Books
Kathy Shorr's photography book helps to de-normalize what has become painfully normal
Books
Already in the three short volumes which Hirato had hoped to publish, but for which he was unable to raise money, we see a growing tendency to break up the language and images, abstracting them into a pulse of pure energy that conveys the meaning rather than simply expressing it.
Books
After discovering a series of negatives in an abandoned skyscraper in St. Louis, Aaron Farley altered the degraded images with caustic colors.