Books
Reader’s Diary: Catherine Texier’s ‘Russian Lessons’
It’s so hard to read a friend’s book without prejudice.
Books
It’s so hard to read a friend’s book without prejudice.
Books
Even while major Brutalist structures face preservation issues — like Marcel Breuer's Central Library in Atlanta, whose fate is being decided now — the aesthetic of these concrete-based buildings continues to gain in popularity.
Books
For the past two years, we've been following the strange saga of criminalized Japanese "vagina artist" Megumi Igarishi.
Books
We think the canon of American art of the 1940s and ‘50s is set in stone, but we’ve got a lot of looking still to do.
Books
Nicolas Hundley is a poet of pronouns. In many of his poems and prose poems, a pronoun – he, they, you, and we – is central to each line or sentence.
Books
The Japanese-born art historian Reiko Tomii is one of those researchers who is both passionate about her subjects and recognized among her peers for her meticulous mapping of the cultural-intellectual terrain from which they emerge.
Books
Waldo, the cartoon protagonist of the famed Where’s Waldo? series, has more in common with Andy Warhol, the godfather of Pop art, than is immediately obvious.
Books
Artist and writer Hannah Black’s videos — including “My Bodies,” “Intensive Care/Hot New Track,” and “The Neck” — combine images, texts, and sounds in a way that seems less about creating tension than exposing it.
Books
Whitechapel Gallery and the MIT Press recently published Queer, the latest addition to Documents of Contemporary Art, a popular series of anthologies on major themes and ideas in contemporary art.
Books
Natural history storerooms are a bit like drowned Noah's Arks, with specimens from every realm of the animal world posthumously preserved.
Books
Cards on the table: I prefer short poems to long ones, slender bodies of work to massive ones. So naturally, I consider the best way to read poetry is not in a book, but in a chapbook.
Books
"That which is the immodesty of other women has been my virtue — my willingness that the world should gaze upon my figure unadorned," Audrey Munson, the favorite nude model of the Beaux Arts movement in the United States, once proclaimed.