Book Review
Reading Georgia O’Keeffe Along Lines of Class and Race
A new book sets its sights on the artist’s lesser-known post-war career and her negotiations of identity.
Book Review
A new book sets its sights on the artist’s lesser-known post-war career and her negotiations of identity.
Books
The role of dreams in Latin American art, Gertrude Abercrombie’s homegrown surrealism, essays on Celia Paul, new catalogs and monographs, and more.
Book Review
Rife with descriptions of “seductive” works, the former “New York Times” Paris bureau chief’s book reads more like a travel guide than the impartial reporting of a journalist.
Book Review
No Man’s Land, Pakistani artist Amin Gulgee’s first comprehensive monograph, maps his interest in exploring ritual, science, grief, and healing in a visual language all his own.
Book Review
A new monograph brings the artist’s life into focus as she returns to the same subjects again and again: the women in her family, the British Museum, and the sea.
Book Review
In a new book, scholar Ruth E. Iskin emphasizes Cassatt as a distinctly transatlantic artist whose identification with the US and France were deeply entwined.
Book Review
The essays in Speculative Light explore the many ways in which Beauford Delaney, another queer Black man, revolutionized Baldwin’s cultural perspective and imagination.
Book Review
With a fair dose of whimsy, Also on View draws attention to museums off the beaten track, centering the region’s rich diasporic fabric and cultural niches.
Books
The artist’s internal revolution erupted in the radical innovations of his years in the city, which seemed to offer refuge from the storms of his life.
Books
Delve into Lucy Lippard’s short fictions, Tamara Lanier’s indelible memoir, The White Pube’s tales of absurdity in the art world, new perspectives on Mucha, and more.
Book Review
This photo history of plants tackles the problem of how to pull ourselves out of the blind, anthropocentric march toward climate disaster.
Book Review
Despite the often stifling influence of critic John Ruskin, Francesca Alexander dedicated her art and life’s work to the people of Tuscany.