Books
Capturing the Timeless Drawings of Milein Cosman
Ines Schlenker’s illustrated biography, Milein Cosman: Capturing Time, proves Cosman’s importance both as an artist and as a chronicler of her period in artistic history.
Books
Ines Schlenker’s illustrated biography, Milein Cosman: Capturing Time, proves Cosman’s importance both as an artist and as a chronicler of her period in artistic history.
Books
As a non-specialist Rene d’Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.
Books
In her diary, Rosselli experimented with what she described as “wild” writing to explore trauma and loss.
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Facing her mortality, Mary Ruefle does not ask for pity or sympathy, because death is democratic.
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In Luigi Ghirri's Colazione sull’Erba, previously unpublished images from the photographer’s archive present a sparsely populated world of placid tranquility.
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In Against Our Will, Vivien Green Fryd makes a convincing case for the need to examine artworks through the lens of sexual trauma, a violent reality that unfortunately spans across gender, ethnicity, race, and time.
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The undercurrent of the book is the link between Japonisme, aesthetics, and queer culture: Admiring Japan was, in several cases, shorthand for queerness and a dainty homoeroticism.
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In The Power of Cute Simon May posits that "cute" is a modern-day iteration of the Renaissance archetype of the monstrous.
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The poetry of Ariana Reines outlines a utopian prospect where suffering can be transformed into benevolent light.
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A look at three paintings from the cusp of the 20th century that make a powerful argument for beauty.
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In Amanda Lee Koe's debut novel, the lives of Marlene Dietrich, Anna May Wong, and Leni Riefenstahl are intertwined with changes in the world and with one another.
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Author Clare Clark's In the Full Light of the Sun raises important questions about the lengths we go to distract ourselves from governmental horrors, and how art can’t save us, but it doesn't manage to find easy answers.