Books
Recreating Artemisia Gentileschi's Life in Graphic Form
I Know What I Am: The Life and Times of Artemisia Gentileschi weaves together known facts of Gentileschi’s life with the politics of art patronage.
Books
I Know What I Am: The Life and Times of Artemisia Gentileschi weaves together known facts of Gentileschi’s life with the politics of art patronage.
Books
Through a range of visual and poetic essays, Lisa Barnard’s The Canary and The Hammer offers a heady examination of our enduring fascination with the element.
Books
Ines Schlenker’s illustrated biography, Milein Cosman: Capturing Time, proves Cosman’s importance both as an artist and as a chronicler of her period in artistic history.
Books
As a non-specialist Rene d’Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.
Books
In her diary, Rosselli experimented with what she described as “wild” writing to explore trauma and loss.
Books
Facing her mortality, Mary Ruefle does not ask for pity or sympathy, because death is democratic.
Books
In Luigi Ghirri's Colazione sull’Erba, previously unpublished images from the photographer’s archive present a sparsely populated world of placid tranquility.
Books
In Against Our Will, Vivien Green Fryd makes a convincing case for the need to examine artworks through the lens of sexual trauma, a violent reality that unfortunately spans across gender, ethnicity, race, and time.
Books
The undercurrent of the book is the link between Japonisme, aesthetics, and queer culture: Admiring Japan was, in several cases, shorthand for queerness and a dainty homoeroticism.
Books
In The Power of Cute Simon May posits that "cute" is a modern-day iteration of the Renaissance archetype of the monstrous.
Books
The poetry of Ariana Reines outlines a utopian prospect where suffering can be transformed into benevolent light.
Books
A look at three paintings from the cusp of the 20th century that make a powerful argument for beauty.