By employing a slow, deliberate process in which control is paramount, Remington shaped her passage in time.
With their Fauvist hues and Pop-inflected renderings, Angus’s drawings and paintings, made amid the AIDS crisis, intrinsically queer the Western canon.
Aldrich brings a rich sense of materiality to a practice founded on the gap between images and language.
In the gallery you can smell this state of being in absentia.
Tom Burr’s installations bring together past and present in a famous Brutalist building in New Haven.