News
The Enigmatic Bolivian Artist Who Centered Indigenous Workers’ Rights
“Estaño Maldito (Cursed Tin)” (1937) is the first painting by Alejandro Mario Yllanes to enter a museum collection in the United States.
Bowdoin College Museum of Art
Art
Looking Anew at Mina Loy, From Paris to the Bowery
Loy’s work as an artist and writer was as groundbreaking as it was evanescent, and a new exhibition helps bring it back into view.
Art
The Sensuality of Ancient Art in the Round
In antiquity and in the Renaissance there was an inherent sensuality to being able to visually consume a sculpture from every angle.
Art
Luxurious, Terrifying Visions of Death in Renaissance Memento Mori
The Bowdoin College Museum of Art is exhibiting memento mori objects from Renaissance Europe, often grotesquely designed to startle viewers into recognizing mortality.
Art
Elise Ansel’s Ab-Ex Annunciation
The stated goal of New York City-born, Portland, Maine-based painter Elise Ansel is “re-creating, re-visioning, and re-presenting” paintings from the past.
Art
Artists of the Dark: “Night Visions: Nocturnes in American Art, 1860–1960”
Nighttime darkness compresses space and alters colors, making ordinary places both more terrifying and more freeing, changing the social dynamic of those who walk in them.
Art
How the Space Race Altered Art in the Americas
Space exploration and the science fiction imagination of alien encounters out in the stars reached their peak of optimistic possibility between the 1940s and 1970s, culminating with the first moon landing in 1969.
Art
Katherine Bradford and the Bigger Picture
I left Katherine Bradford’s first museum show, August, at the Bowdoin College Museum of Art, Brunswick, Maine (June 29 – September 1, 2013) wishing for an in-depth survey. As it is, there are eight paintings ranging from 10 x 10 inches to 68 x 80 inches — a sumptuous sampling — exhibited in one gall