Scar Tissue

One of the things that I admire about Brenda Goodman is her willingness to push a painting into a territory all its own. She isn’t interested in stylistic consistency or any of the other common denominators that can be used to brand one’s work.

The Other Side of Portraiture

It may be a stretch to say that portraiture is in the air — given that there are all of two exhibitions devoted to it in New York City right now, one in Manhattan and one in Brooklyn — but their confluence can feel like the kind of Marxian (Groucho, not Karl) charge you get from watching a tradition-bound idiom seize up and explode.

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