The BMA plans to sell three works by Brice Marden, Clyfford Still, and Andy Warhol. It will funnel $10 million of the proceeds into a fund to acquire works by women and artists of color.
These are the paintings of a modern master for whom dissipation and loss of control have become integrated into the work.
Each work in Marden’s series Cold Mountain Studies is the trace of a transient intention, and their variety is potentially infinite.
WASHINGTON, DC — In her ongoing series Le ‘NEW’ Monocle, Shana Lutker creates stage sets and performances based on the circumstances and philosophical undertones of fistfights instigated by Surrealists in Paris in the 1920s.
Ten years ago, the Morgan Library & Museum decided it was time to bring its collection up to speed on the art of drawing in the 20th and 21st centuries — a daunting task in itself, and even more improbable in the face of a superheated, late-capitalist art market: at the feast of the trophy-eaters, would the museum be forced to content itself with scraps?
SAN FRANCISCO — When learning Chinese, it’s often difficult to appreciate the subtle beauty of each character. In the mist of trying to hammer each one into memory, a Chinese learner rarely pauses to admire the carefully crafted order of strokes and hidden meanings.
Yesterday afternoon, I ventured out into the bordering on bad weather and braved the gray skies to bring you the latest on Chelsea this November. The gallery district is probably much as you remember it, with high-end galleries showing off their blue chip stables and smaller spaces skipping to keep up. Yet there are still pleasant surprises to be found in the warehouse-strewn streets, from lesser known painters that include (gasp!) a ceramicist to commercial shows that may as well be museum retrospectives. Continue below for the blow-by-blow of my blue-chip Chelsea trip.