A new study making waves in the UK finds that people from low-income backgrounds are less likely to become artists — but that’s always been the case.
Britain
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Necklace Found in Medieval Burial Site Is “Once-in-a-Lifetime” Discovery
It probably belonged to an elite woman who wanted to “show off” her new Christian identity.
Posted inArt
When a Bible’s Not a Bible
There’s no evidence at all that a small, engraved, gold bead found in Yorkshire is intended to represent a Bible.
Posted inArt
Tate Britain Hangs a Diverse Display of Women Artists Out of Its Permanent Collection
The collection of 60 women artists from Tate’s permanent collection, on view through April 2020, tackles the tricky terrain of museum representation.
Posted inArt
Discovering Tutankhamun with Photographer Harry Burton
In 1922, the Egyptologist Howard Carter asked the Metropolitan Museum of Art to lend him the services of Harry Burton, a photographer then working for the Museum’s Egyptian expedition.
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Seeing Through the Crowds at the 2011 Venice Biennale Part I: The Giardini and Pavilions
Editor’s Note: Peter Dobey published a series of photo essays (1, 2, 3) about this year’s Venice Biennale at the beginning of June. This is a long-form essay (to be published in three parts) that explores the work at the Biennale.
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PARIS — It is difficult to write about Venice, just like it is difficult to really SEE Venice. Individual experiences of art fade away into the oversaturation that is the Venice Biennale in the same way the city of Venice is sinking into the Adriatic. There is the ontological experience of Venice and the problem of one’s ability to encounter it. Then there is the physical impossibility to see everything the Biennale offers you and all the things it doesn’t, especially when in Italy.