On February 16, for a protest organized by BP or not BP?, over 350 activists gathered to urge the British Museum to cut financial ties with British oil company BP.
Performance troupe BP or Not BP? organized a “Stolen Goods Tour” at the British Museum, where activists of Australian Aboriginal, Iraqi, Hawaiian, Māori, and Greek Cypriot heritage called for the repatriation of looted artifacts in the museum’s collection.
A new exhibition at the British Museum underscores the material remains associated with the Assyrian king Ashurbanipal, and their display alludes to Britain’s long and fraught history with Iraq.
“For us [the statue] is a brother; but for them it is a souvenir or an attraction,” said a member of the Easter Island development commission, Anakena Manutomatoma.
Performers dressed as BP employees sipped oil-contaminated champagne, and protesters displayed facts about BP’s exploitation of Iraqi resources.
BP or not BP? gathered in opposition of oil giant BP’s financial stake at the British Museum, accusing the company of bolstering its political positioning through its arts investments.
The Rapa Nui community has offered a basalt replica of the eight-foot, four-ton sculpture called Hoa Hakananai’a, which was stolen in 1868.
Rodin’s work is currently on display at the British Museum, with a number of photographs and sculptures included in the exhibition, the main draw being the Parthenon marbles.
A terror plot targeting the British Museum was recently thwarted, but the reasons why it became a target in the first place go far beyond the current political climate.
The 5,000-year-old mummies, which have been at the British Museum, have tattoos of a wild bull, sheep, and alphabet-like motifs.
Newly public emails show correspondence between the museum, Russia’s London embassy, British officials, and BP.
The Fiji Mermaid was an object of fantasy but for a long time it was on display as a specimen that many people believed was real.