We Wear the Mask treads a fine line between opacity and revealing truth in its rawest form.
The program awards rent-free studios to 17 visual artists for year-long residencies in Brooklyn, New York. Applications are due February 15.
As a tribute to the original design of the Endale Arch, the restoration team left one brick and granite cross vault exposed to display the “detailed craftsmanship put in place over 150 years ago.”
In his meticulously posed photographs, Edmonds conjures new avenues for imaging relationships between Africa and its diasporas today.
Public protests once filled the same streets now transformed into block parties. Photojournalists captured the impromptu gatherings and spontaneous joy that emerged in the distinct style of each city.
The Brooklyn Museum exhibition pairs costume designs from the popular Netflix shows with related objects from its collection.
The Greenpoint Library & Environmental Education Center was built using funds from a state settlement with ExxonMobil for its devastating oil spill in the neighborhood.
While Sculpture Center and MOMA PS1 have shown interest in exhibiting “THE ROCK,” sculptors Pam Lins and Halsey Rodman say the ongoing installation “could disappear at any moment.”
From sunrise to sunset, the Afield will present a new multimedia performance which mines the details and redactions of the Mueller report.
In a letter, organization leadership cited the financial pressures of the ongoing coronavirus pandemic as the reason for the decision.
The artworks, which include significant pieces by Lucas Cranach the Elder and Francesco Botticini, are estimated to accrue $2.3 million to $3.5 million in total at Christie’s today, October 15.
Few artists unlock the optical potential of black better than Joan Witek, whose compositions hum with subtle illusions.