Despite all we know about the environment and what we are doing to it, Kim arrives at another, less palatable realization: As much as we call the Earth our home, we are strangers here.
Byron Kim
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Byron Kim Achieves Equilibrium
Perhaps these paintings are what it feels like for the artist to be in a state of not being harried, anxious or in deep existentialist dread.
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Red Flags Are Flying at Rockefeller Center
Andy Goldsworthy’s installation seeks to signal anti-imperialism at a notoriously capitalist site.
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Getting Your Weather Report at the Art Museum
At the Aldrich Contemporary Art Museum, artworks confront their own untimeliness through appeals to a deeper, more cosmic, sense of space and time.
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Painting the Sky on Sunday
Byron Kim’s diaristic texts offer a bird’s-eye view of his life — the youth soccer games, the dinner parties, the glum and the optimistic moods, the children going away to college.
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Artists Show What It’s Like to Live in Your Own Skin
The exhibition at Invisible Exports, Cheap Suitcase, reflects on how the body is a record of a singular life, but also a random palimpsest of whatever genetic heritage one has.
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Painting the Violent Life Cycles of Bruises
In his new series at James Cohan Gallery, Mud Root Ochre Leaf Star, Byron Kim paints bruises that radiate tenderness and hurt.
