While it would be comforting to dismiss Noland’s 1980s and ’90s vision of a pathological public sphere as hopelessly dated, unfortunately the opposite is true.
Sculpture at Luhring Augustine posits contemporary sculpture as a corrective to politically regressive monuments in the United States.
The dialogue among four works — two by each artist — suggests a dissonant string quartet as each piece asserts its distinctive timbre and range.
Martin Herbert’s latest book is a collection of essays about 10 artists who play with the system, struggle against it, or walk away altogether.
What happens when one’s language is not heard? Or heard, but not recognized? When one’s speech carries within it holes of silences: hesitations, pauses, caesuras, stutters, and apprehensions?
MIAMI — The exhibition of over 100 women artists currently on view at the Rubell Family Collection is difficult to review because the works do not all fit into the space and the decision was made to rotate them over the course of the show.
Cady Noland has reportedly stirred up a kerfuffle around the sale of her work to a major collector.
On this week’s art crime blotter: artist sues Starbucks over “Mini Frappuccino” design, staff at Spanish tourist destination use audio guides to launder money, and the creator of the giant inflatable rubber duck sculptures disowns one of his ducklings.
A few months after having been roundly trounced for The Forever Now: Painting in an Atemporal World, its attempt to assess the current state of painting, the Museum of Modern Art opened a reinstallation of its contemporary collection on the same day as its Björk fiasco.
The current show at Gagosian, Portraits of America: Diane Arbus/Cady Noland is in a small gallery reachable only by walking into and through the Gagosian’s Upper East Side gift shop. In order to see the exhibition, to enter the gallery, one must first pass through this physical barrier.
How important is it to control one’s image, to have mastery over one’s oeuvre? As a female artist, to allow one’s life and work to merge is risky. It is a softness.
SOMERVILLE, Mass. — Ending not with a bang but a whimper, the last bit of legal wrangling in the case that pitted collector Marc Jancou against Cady Noland and Sotheby’s was quietly settled on November 11.