Expect paintings of trout streams and sun-drenched deserts in the 24th edition of “Masters of the American West.”
Life in Palmyra did not stop in the third century but has gone on more or less continuously at the site for the 1,700 years since.
The Asian Art Museum shares with Hyperallergic some of the short films featured in its forthcoming exhibition “After Hope: Videos of Resistance.”
“The Black Index” at UC Irvine pursues knottier narratives of self-representation.
Defender, which launched online this week, tells the stories that get buried in the news.
The music, composed by Ellen Reid, is inspired by “the shapes of the paths” and “evokes the massive sky and the challenging terrain.”
Carter’s paintings gesture toward unknown realms, whether death or nonhuman consciousness.
Get ready for the LA debut of Ai Weiwei: Trace with virtual talks, gallery tours, on-demand films, and a rare speaking engagement with the artist-activist on February 21.
The new Getty fund is a massive effort to preserve jobs and retain the cultural capital of LA’s creative workforce.
With no musical experience or physical instruments required, “The Adjacent Possible” invites you to a blissful 45-minute session.
The museum has been criticized for its sweeping layoffs and furloughs during the coronavirus pandemic and accused of fostering a culture of racism and structural inequities.
Hyperallergic acquired documents raising questions about board member self-interest and tax-exempt bond misuse at the crisis-stricken art college under investigation.