In addition to their input, students were invited to assist local and international artists in completing the murals, as well as serve as subject matter in some cases.
The anonymous art collective simply known as the Art Department transformed a decommissioned building into “a secret wish-processing facility.”
After CalArts announced a tuition hike in March, students have been participating in a much bigger conversation around the transparency and values of arts institutions.
A documentary on “The 21st Century Odyssey” offers an in-depth look at this pioneering work of technologically aided human connection.
Vanessa German and her partner, Janae Brown, present an intimate exchange between Black women, a perspective absent in mainstream depictions of African-American femininity.
Carlie Wilmans, founder of the arts nonprofit 500 Capp Street Foundation, has come under fire after starting proceedings to evict a family from a duplex she owns in the Mission District.
Modern art history, popular culture, and Indigenous people commingle in David Bradley’s imagination of the Southwest in idiosyncratic ways.
Niloufar Talebi, who knew Shamlou since she was a child, has written a memoir and opera on the poet and how he affected her life.
Each Saturday, the Family Room Collective creates films inside a gallery and on the streets below, creating narratives based on texts and interactions with those they encounter.
Now in its second year, Indigenous Now is a four-hour program that pays tribute to the area’s first inhabitants while celebrating their contemporary creative expressions.
It’s not often that you find a space in which communication is not only possible, but encouraged across time, discourses, and borders.
We are giving 5 pairs of bench seat tickets for each concert. Enter for your chance to win!