Art
The Haunting Image of Home Amid Climate Change
In the face of natural disaster, artists question how the overwhelming anxiety of environmental degradation can be harnessed into creative action.
Art
In the face of natural disaster, artists question how the overwhelming anxiety of environmental degradation can be harnessed into creative action.
Art
Artist Renée Petropoulos honors the intrinsic qualities of different languages in We Will Congregate, which features texts in English, Spanish, and the Zapotec language.
Art
The Huntington Library is exhibiting 250 of its objects that were made, edited, or acquired in 1919.
Art
An exhibition remembers the students’ simple, yet radical, demand in 1968 San Francisco: the right to learn about themselves.
Art
Sadie Barnette’s recreation of the New Eagle Creek Saloon at the Institute of Contemporary Art, Los Angeles, will be activated this Thursday night with talks, a performance, and a DJ set.
Art
The Autry Museum will celebrate members of the Indigenous LGBTQPAI community with the second annual Indigenous Pride LA.
Books
Dennis Stock’s California is that of an outsider, shooting the most obvious aspects of West Coast life against the diverse, strange, and fascinating backdrop of the late 1960s.
Announcement
The application process is now open for curatorial and public art to be presented at YBCA in San Francisco. Applications are due by October 20, 2019.
Art
In its early years, Otis’s success rested on the intersectionality of its students who also came from a diversity of creative fields.
News
Recently, the school board voted to conceal Victor Arnautoff’s “The Life of George Washington,” which critics call a racist depiction of Native Americans and enslaved people.
Art
Bauhaus Beginnings succeeds in reanimating the dialogue that began in the school’s classrooms and hallways, and in following it, as it spilled out into the streets of a country.
Art
The results are arresting, as the writers, who are also men in prison, make anonymous images their own, speaking out of their own experiences, bringing insights and empathy that no outside critic or art historian could.