The installation featured the names of 250 people who died from opioid overdoses recorded on the museum’s stairs.
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Crossing Lines, Constructing Home on View at the Harvard Art Museums
Featuring more than 40 contemporary works created by international artists, the exhibition challenges accepted notions about migration. On view through January 5, 2020.
The Bauhaus and Harvard on View at the Harvard Art Museums
Expansive exhibition features works by major artists, including student exercises, design objects, photographs, textiles, typography, paintings, and archival materials.
An Anthropological Look at Weapons of War as Objects of Art
The Peabody Museum of Archaeology and Ethnology at Harvard explores centuries of weapons from around the world that double as works of art.
Panther-Riding Drunks May Be Michelangelo’s Only Surviving Metal Sculptures
A pair of bronze statues of nude revelers riding panthers are the only surviving works in metal by Michelangelo, a new study claims.
Scaling the Spires of Cambridge with 1930s Urban Explorers
Back in the 1930s, a group of amateur climbers scaled the centuries-old Gothic stonework and shaky water pipes to reach the spires of the Cambridge colleges.
The Yak Brains and Crushed Insects That Made Tibetan Buddhist Bookmaking Beautiful
From the earthy mineral pigments ground from azurite to paint a sky, to paper given its luster from yak brains, the creation of Tibetan Buddhist texts is being examined down to its bare materials at the University of Cambridge’s Museum of Archaeology and Anthropology.
The Pre-Tabloid Art of 19th-Century Crime
People have always loved a good lurid story, the more complicated by family twists and accented by violence the better. Back in the 19th century, thousands of chapbooks were printed in Spain and England that chronicled grisly crimes and romantic intrigue for the public, and since a large part of the population was illiterate, there were always great images to catch the curious eye.
Accidentally Forget your Weldon Kees?
Cambridge, MA — The first thing I wanted to see, for reasons that will become clear in a few days, was a Walter Gropius building. Instead, the first thing I came across was the most talented Nebraskan you’ve never heard of.
I passed Pierre Menard Gallery in Cambridge on my way to look at an old Walter Gropius building, and the name, taken from a Borges story I’ve read and love, drew me in.