Moyer’s new paintings revel in color and visual pleasure, scrambling distinctions between abstraction and representation.
Carrie Moyer
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The Multifarious Feminism of the Whitney Biennial
Through its feminist contributions, the exhibition offers a window onto some of our most pressing cultural concerns, as well as our shortcomings.
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An Omnivorous Tour of the 2017 Whitney Biennial
See highlights from the 2017 Whitney Biennial, which opens to the public later this week.
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Beer with a Painter: Carrie Moyer
When Carrie Moyer and I decided to have a conversation, her recent paintings were already at DC Moore Gallery, where her solo exhibition — now on view — was soon to open. We met there after hours, and over beer and chips, and talked among the works leaning against the walls.
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Subversive Color at the Rose Art Museum
WALTHAM, Mass. — To say that painting is having a moment would be ironic – since, despite periodic claims regarding its demise or return, it clearly never went very far away.
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Rough Collages and Finished Works Cut from the Same Cloth
The expressive quality of collage across all manner of media, from literature and music to the visual arts, came to mind while viewing Rough Cut, an exhibition at Morgan Lehman Gallery.
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Contemporary Fresco That’s Off the Wall
It isn’t often one comes across fresco paintings in art galleries, the last time I remember seeing a sizable number was the “Rooms” section of the Francesco Clemente retrospective at the Guggenheim Museum in 1999.
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Going Contemporary at the Armory
If the art world has been about globalism for quite a while I can say that is more true now than ever — if that’s possible.