![[Sponsor] Censoring Wojnarowicz](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2011/03/censoringwoj_home.jpg)
Announcement
In The Life Media, producers of In The Life, the longest running television show documenting the gay experience, have created Censoring Wojnarowicz, an exclusive online video exploring the controversy surrounding the removal of David Wojnarowicz's “A Fire in My Belly” video installation from the Nat
News
According to the Loveland Reporter-Herald [http://www.reporterherald.com/news_story.asp?id=31264], the Christian fundamentalist trucker who damaged artist Enrique Chagoya's “The Misadventures of the Romantic Cannibals” at the Loveland Museum Gallery in Loveland, Colorado has been "ordered to pay $2,
Opinion
This week on Required Reading … Thornton Dial is getting ready for a major show in Indianapolis, Spy magazine is posted online by Google, thinking about animated GIFs as art, is the US military creating a fake online "army," visualizing art thefts, Linda Benglis profiled in the New York Times
Opinion
This week on Required Reading … a look back to Napoleon in Egypt … a history of mural whitewashing in Los Angeles … the preservation of the Watts Towers … Steven Heller tracks dowing the master style guide to the Master Race … what is "The Future of Art" … are you ready for the Singularity?
News
Bill Dobbs, representing anti-censorship organization Art Positive, has sent a letter to Smithsonian director Martin Sullivan requesting that the museum release the original installation shots of David Wojnarowicz's “A Fire in My Belly,” as well as photos of the gallery as it now stands, minus the v
![Smithsonian Regents Board Report Waffles on Controversy; Clough Won't Go [UPDATED]](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2011/02/cloughregents_home.jpg)
News
The Smithsonian Board of Regents met on January 31st with Smithsonian Secretary G. Wayne Clough to discuss the fallout from the recent censorship scandal at the National Portrait Gallery. In its released report, the Board fails to make a strong statement against the censorship but suggests several w
News
The Smithsonian's Board of Regents, the highest administrative body of the organization, will be meeting on Monday January 31st with Smithsonian Secretary G. Wayne Clough to discuss his decision to censor David Wojnarowicz's “A Fire in My Belly” from the National Portrait Gallery's Hide/Seek exhibit
News
Los Angeles — With a cardboard cross and draped coffin, a group of activists and artists assembled in front of downtown LA's Millennium Biltmore Hotel to stage a “Funeral Procession of Free Artistic Expression,” where Smithsonian Secretary Wayne Clough was speaking as part of the Town Hall Los Angel
![As Protests Take Place in LA, a Smithsonian Secretary Clough Update [UPDATED]](/content/images/size/w600/hyperallergic-newspack-s3-amazonaws-com/uploads/2011/01/scaled-home.jpg)
News
Today is the day that Smithsonian Secretary Wayne Clough is going to face the press in Los Angeles to answer questions related to the Wojnarowicz censorship case. I'm sure there will be lots of news from the event, particularly since LA Raw will be protesting [http://hyperallergic.com/17125/la-raw-p
News
Los Angeles-based art protest group LA Raw will be staging a Funeral Procession for Freedom of Expression [http://laraw-art.blogspot.com/2011/01/protest-escalating-art-censorship-from.html] on Thursday, January 20, 2011 (11:00 AM) at the Biltmore Hotel (506 South Grand Avenue, Los Angeles, CA 90071)
News
Last Thursday January 13, there was a panel discussion at LA's Fowler Museum titled "How Does Street Art Humanize Cities?" Organized with Zócalo, the event featured curators, artists, and reporters, most of whom were associated in some way with the LA MOCA's upcoming street art exhibition, yet to ev
News
The New York Times announced today that the Museum of Modern Art has acquired David Wojnarowicz's “A Fire in My Belly,” including both the artist-cut 7 minute version and the 13 minute full work. The acquisition pays testament to the work's newfound significance after being censored from the Smithso