By enshrining her memories into sculptural form, Juárez celebrates her emotional pilgrimage through the growing pains of childhood to adulthood.
Visitors to the Museo Larco in Peru learned how to perform self-tests for prostate and testicular cancer by touching the genitals of replicas of pre-Columbian huacos.
Early on, Kamoda’s exhibitions were met with crowds who lined up around the block to see his elegant, elusive works.
The program “promotes the spatial sensibilities and creative innovation of Black and Brown women practicing ceramic art.”
Daisy Youngblood is a portrait sculptor whose themes include the embracing of one’s mortality.
Stephanie H. Shih’s selection came from Asian American social media followers, who helped pick the top “Western products which ‘feel’ Asian.”
Asunción Molinos Gordo creates pitchers, jugs, and basins in centuries-old designs typical of the Iberian Peninsula and the Mediterranean.
Funky and elegant by turn, Ann Agee’s ceramic Madonnas testify to an imagination run wild.
Running like a red thread through Marcel Alcalá’s paintings and ceramics is a quiet foreboding, winding along the ocean floor of the subconscious.
The People’s Pottery Project is becoming a structure of support for formerly incarcerated women, trans, and nonbinary individuals.
Peters Valley began as an experimental colony, eventually evolving into a craft school of prominent women blacksmiths, ceramicists, and fiber artists.
The work of Jiha Moon and Stephanie H. Shih is both aesthetic and political, a commentary on assimilation as a process in which one’s national origin is not forgotten or erased.