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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Chaim Soutine

Posted inArt

How Soutine Showed de Kooning a Way Out

by John Yau July 24, 2021July 31, 2021

It seems to me that Soutine’s complete lack of interest in the cubists’ desire for order was exactly what appealed to de Kooning.

Posted inArt

“The Carcass and the Canvas” and Other Chaim Soutine Stories

by Norman Kleeblatt September 14, 2018September 14, 2018

If there is a single point of agreement in the posthumous literature on Chaim Soutine, it is that the Lithuanian-born Jewish artist is surrounded by legend.

Posted inArt

A Master of the Flesh and Painter of the Soul

Avatar photo by Robert Archambeau August 4, 2018August 3, 2018

Ivan Albright represents a deeply transcendent, even Platonic, idea of the soul, although one could be forgiven for missing it among the mercilessly unglamorous bodies of his figures.

Chaim Soutine, "Fish, Peppers, Onions" (ca 1919), oil on canvas (courtesy Barnes Foundation, Philadelphia, Pennsylvania)
Posted inArt

Chatting Soutine, Still Life Painting, and Bravura Brushstrokes

Avatar photo by Benjamin Sutton June 5, 2018

The Jewish Museum hosts a conversation about Soutine’s gestural painting and still lifes, moderated by Hyperallergic’s John Yau.

Posted inArt

Painterly Visions of Being All Too Human

Avatar photo by Olivia McEwan May 18, 2018May 17, 2018

At best, All Too Human shows well known artists at an intriguing new angle and revisits lesser known names, but at worst makes some perplexing curatorial choices which defy its own set of rules, stretching relevance through some optimistic inclusions.

Posted inArt

The Cautionary Tales of Dead Birds Fashioned from Textiles

Avatar photo by Seph Rodney March 20, 2017March 21, 2017

Tamara Kostianovsky’s exhibition at Y Gallery features sculptures of butchered fowl made from salvaged fabric.

Posted inArt

Looking at 2011 Art Basel Miami Beach Through the Prism of One Influential Painter

by Jason Andrew December 1, 2011

MIAMI — With Soutine in mind, and the world’s best galleries around me, I culled a few great works by mostly 1950s US artists that have Soutine in mind.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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