Opening in the shadow of the Paris attacks, the exhibition Collected by Thea Westreich Wagner and Ethan Wagner represents — as Adam Weinberg, the director of the Whitney Museum of American Art, said in his remarks at the press preview — “a celebration of what matters in life.”
The German artist Charline von Heyl’s current show, Dusseldörf, currently on view at Petzel’s new uptown gallery, presents a group of von Heyl’s early collages and paintings from 1990–1995.
As news of art fairs and Bjork took the spotlight earlier this month, I lingered on the Museum of Modern Art’s The Forever Now: Contemporary Painting in an Atemporal World, up through early April.
The Forever Now: Contemporary Painting in an Atemporal World, the new exhibition at the Museum of Modern Art, prompted thoughts of Elizabeth Kübler-Ross’s five stages of grief: denial, anger, bargaining, depression and acceptance, though I’m not sure how much acceptance there is in the end.
WALTHAM, Mass. — At the Rose Art Museum at Brandeis University, the art historian Katy Siegel has curated an exhibition titled The Matter that Surrounds Us, a group show of Wols and Charline von Heyl.