Art
Take Me (I’m Yours) is a re-staging of a show that first appeared at the Serpentine Gallery in 1995, when it was conceived of by curator Hans Ulrich Obrist and artist Christian Boltanski. In this 2016 New York edition, curators Obrist and Jens Hoffmann feature more works by 42 artists.
Art
PARIS — Take Me (I'm Yours) at the Monnaie de Paris revives and expands a 1995 exhibition curated by Christian Boltanski and Hans-Ulrich Obrist at London's Serpentine Gallery, in which all the art is designed to be touched and taken away.
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On this week's art crime blotter: vandals tag a Munich museum with swastikas, hunters venture onto Texan museum's grounds, and a public sculpture is mysteriously beheaded.
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The recent HSBC leak, which has revealed that between 2006 and 2007 the bank's Swiss branch helped clients conceal some $102 billion from tax authorities, lists a number of prominent art and culture figures among the 30,000 people whose account information was released.
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What is it about boxes that is so fascinating? I was thinking this as I went into Chicago’s Museum of Contemporary Art to see Pandora’s Box, a show that displays artist Joseph Cornell’s signature assemblages alongside the works of artists who allegedly were inspired by him or who were in artistic sy
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More images from the world's oldest and largest art biennial event, the Venice Biennale, including photos from the François Pinault Foundation, the French, Haitian, Danish, Swedish, Swiss and the Venezuelan pavilions.
Art
The voluminousness of the Venice Biennale can be overwhelming, much like the city of Venice itself. Talking with Venetian friends, I heard the city described as a “creature,” a labyrinthine monster that will suffocate you if you don’t know how to find the campos, or other open-air spaces where you c