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At the moment of their retrospectives, which artist is more popular: Cindy Sherman, now at the MoMA, or Damien Hirst at Tate Modern? Let's see what social media has to say on the topic.
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LONDON — With all the fanfare and hullabaloo surrounding Queen Elizabeth II's Diamond Jubilee (celebrating sixty years as the British monarch) wrapping up this past Tuesday, I was reminded of another ancient British tradition that is taking place now, too: the Royal Academy of Art's (RA) summer exhi
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Fashion as a basis for genuine artistic work may be dead. Even when it's properly approached and used, as in Cindy Sherman’s fashion editorial series or the early installations of artists-cum-couturiers Zowie Broach and Brian Kirkby under the Boudicca label, I tend to find that the medium isn’t bein
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If only you knew how to talk about Cindy Sherman you’d feel better about throwing yourself into the ring with all the art pundits and critics who have been falling over themselves to give kudos to the current MoMA retrospective which covers her 35 year career from when she was good until now.
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Cindy Sherman’s one-woman retrospective is profound, provocative and sadly incomplete, most noticeably in relation to her earliest works despite the inclusion of the entire black and white “Untitled Film Stills” (1977-1980), the “encyclopedic roster of stereotypical female roles” that skewered the p
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Designer/artist crossbreeding is nothing new. MAC had Cindy Sherman, Louis Vuitton had Takashi Murakami, and Stella McCartney had Barry Reigate. But for the 65 year-old house of Dior, a new accessories and cosmetics collection made in collaboration with German contemporary artist Anselm Reyle may be
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Over at MoMA, there are two big survey shows that focus on a single theme throughout the history of photography from the heyday of the daguerreotype through to the present. The first, Pictures by Women: A History of Modern Photography, is an “installation that comprises more than 200 works by approx