Dance is a curious thing: an art form that both defies and relies on genre distinctions.
Claudia La Rocco
What We Talk About When We Talk About Art Online
“Thank you guys for coming,” Alexis Clements said last Thursday night to a small crowd at the Brooklyn Museum largely comprised of women. “Actually, I shouldn’t say ‘guys,’” she interrupted herself, “Thank you all for coming.” That introduction set the tone for a panel that the playwright, performer, and Hyperallergic contributor moderated, called “The Art of Feeling: Contemporary Arts Writing and the Internet.”
When an Immovable Object Meets an Unstoppable Force
On Sunday, my Hyperallergic Weekend colleague Claudia La Rocco published a piece in The New York Times titled “Museum Shows With Moving Parts,” which explored the expanding presence of dance in museum settings.
Required Reading
This week… Ai Weiwei Easter egg, Picasso & Marie-Thérèse, camera obscura, LACMA acquisitions, John Berger’s new book, thoughts on criticism and Mummers in Newfoundland.