Eamon Ore-Giron invites the viewer to consider culture as a collective, living concept that evolves through destabilizing identity.
From an art incubator wedged between a train station and stairwell to a roving space where you can skate and look at art, spaces in Colorado’s capital are engaging new audiences through unusual means.
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
“He asked a lot of questions and cared about what younger generations thought and were experiencing,” said artist Joseph Coniff, a former student of Richert’s.
The decision follows discoveries in the leaked Pandora Papers regarding antiquities dealer Douglas Latchford.
The company’s mastery of the art market’s smoke and mirrors is its most impressive illusion.
Simphiwe Ndzube masterly weaves Bosch’s iconography into his macabre landscapes that reflect water scarcity.
In The Language of Grief, Lee’s canvases read like a fragmentary novel, building out the story of a year through mundane bits and extraordinary pieces.
Rocky Mountain College of Art + Design’s series of virtual artist talks asks: What do we want our world to look like, and how do we create that vision?
In Horror Vacui, the artist’s works exude depth and dynamism, turning what might be mayhem into compelling narratives.
The Late Works: Clyfford Still in Maryland offers a historical pivot by focusing on the last 20 years of the artist’s life, revealing his most productive period and foregrounding work that is rarely discussed.
In Denver, an exhibition of artist-designed masks shows that face coverings are not only crucial to our health but can also offer unique means of self-expression.